In more current versions of Lightroom Classic CC you’ll find it near the bottom of the Basic panel in the Presence section of the Develop module. In older versions of Lightroom Classic, the Dehaze slider could be found in the Effects panel. These three sliders work together to add the perfect amount of “punch” for your photos. The Texture slider is subtler than either Dehaze or Clarity, and unlike the latter two, doesn’t significantly change saturation or color.
It’s the slider to use when you want to heighten fine details. It affects the smallest details of your image, targeting narrow edges that span a small range. The Texture slider was originally added to Lightroom as a “smoothing” tool for portraits.
It’s best used in high-frequency areas (think tree branches as opposed to open sky). Used well, it gives the illusion of sharpening or added “clarity”. The Clarity slider works on a medium scale, adding or subtracting contrast to the light and shadow areas that fall in the midtones. The Dehaze slider works on the larger scale by increasing the contrast in broader areas of tone or color (i.e. The Dehaze, Clarity, and Texture sliders all affect the contrast of your photo, but each does it on a different scale. It even works when photographing through aeroplane windows. Lightroom’s Dehaze slider effectively reduces window glare while increasing the contrast beautifully. That, and I don’t have one for each of my lenses. It’s not as good as remembering to let your camera acclimate to the temperature outside your bag, but it does a fair job of removing any fog that may have made it onto your lens.Ī polarizing filter will often do the trick in reducing glare, but I find that they don’t always work. That’s where the Dehaze tool comes in handy. If you’re too impatient to wait while the condensation clears, you might end up with a misty photo or three. If you shoot outdoors in wintertime, you’ve probably taken your camera out too fast and ended up with a foggy lens. Removing Light Condensation from Your Lens.A little definitely goes a long way here. Use the Dehaze tool on the Northern Lights to add contrast and saturation in a way that will bring out the colors of the Aurora while leaving the rest of the sky crystal clear.īe careful with it, though. The Milky Way isn’t the only part of the sky that the Dehaze slider can really make pop. It’s generally far more effective than applying noise reduction or even adjusting the blacks to compensate for this “mistiness” between the stars. While increasing the contrast and saturation’s one way to go about fixing this, Lightroom’s Dehaze tool often does a much better job.
#DEHAZE LIGHTROOM 5 ISO#
Night photography requires a high ISO and no matter how good your camera, a high ISO almost always creates a haze in between the stars. Lightroom’s Dehaze slider is perhaps one of the best tools for intensifying and emphasizing night skies.
Bumping up the contrast slider works if there’s not enough contrast all the way around, but what do you do when the highlights and shadows are contrasted enough, but the midtones are flat?īecause the dehaze slider only adds contrast to areas of low contrast, it’ll target the greyed out midtones and leave the high contrast areas alone. If you shoot in black and white, you probably know that much of the secret to amazing photos lies in the level of contrast.
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